![]() This can be anything from recorded sounds to synths and instruments. A really great way to do this is to add new sounds to every bar. The idea of suspense could mean that the first section of your piece can be very controlled but the build-up really needs to grow. My second tip is to just keep layering sounds during a build-up section. However, if you were wanting to use this in another genre, you could always edit the sound with a pitch shifter, reverb, sending it through pedals. This worked as it was a very classical sounding score. The first method I tried was to bury some long gong sounds leading up to the peak of the suspense. After trying out a few different methods, I decided I would share some of the techniques I used that seemed to be quite effective. Recently I’ve been working on a couple of projects that require some suspenseful swells of music.
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